Each of the projects nominated this year offer a unique, inside look at the amazing tricks filmmakers and their talented effects teams use to pull off the visual spectacles that make for a big-screen blockbuster. Berg is very talented at portraying disaster and exploring the heroism of those who show courage under fire, and he doesn't disappoint.Every year, five films are nominated for an Academy Award in the “Visual Effects” category. Of course, it's the company men's profit-driven decisions that lead to the disaster, and the fact that they all survive may remind you of how the White Star execs all got on the lifeboats in Titanic. Malkovich, using a Louisiana drawl, glibly explains why BP needs the crew to drill - and why the borderline safety test results are just good enough to ignore. It's easy to turn corporations into bad guys, but Berg manages to do it without oversimplifying the situation. Because the story's not about the people they'll return to, but about those they worked and survived (or died) with on the rig. Besides Mike's home life and one quick glimpse of Andrea's boyfriend, nobody gets much personal development. But there's an underlying tension to every scene of Deepwater Horizon as moviegoers wonder exactly when disaster will strike. Even though a lot of the technical dialogue will go over most viewers' head, the script seems very realistic and, at first, like a typical workplace drama. for mature viewers.ĭespite knowing the story's tragic outcome, audiences will be totally caught up in Berg's tribute to how ordinary people proved extraordinary during the 2010 BP oil rig explosion. This was not however ok for my immature children who were not ready for that kind of emotional impact and visceral realism. I guess as an adult now I've trained my body to enjoy this in films. It's a testament to the exceptional film making that even as an adult, I too experienced the tummy-tightening effects of this dramatic sequence, but still this did not motivate me to turn it off. On the surface the isolated sex references, language use and even violence seem relatively tame compared to even many of the MCU films, of which My kids have been fine with. The key message here is that I was careless. I immediately killed the tv here and tried to console my two small children who were clearly traumatised and now sobbing in my arms. hopefully some other parent out there can learn from my stupidity. This is why I'm taking the time to write this. This picture of fear won't leave me any time soon. Glancing over at Mr 8yo, he had the ipad hard up against his nose, completely obstructing the tv from view, with a gritted-teeth look on his face as the silent tears rolled out of his terrified eyes. This was my third mistake.Īs the fire started, I realised it was too far. He was clearly wanting to stop it but I put his discomfort down to. My second mistake.Īs the explosion sequence began to build I found Mr 6yo again putting his ipad down and cuddling me more and then eventually becoming upset and wanting to put another tv show on. That should have been another clue, but I ignored it. A particular question from Mr 6yo, reminds me of how little attention I was paying to my parental role in this experience: "did this really happen?" he said. This was my first mistake.Īs the movie progressed and the story built I only observed cursory interest from the boys, looking up occasionally and asking the odd question. I didn't "plan" this as a movie night for the kids so I wasn't clever to check CSM like I might normally. I started this when I was tired, and it was late in the afternoon when the 6yo and 8yo were playing on their iPads in the same room. It's hard to really capture the intensity of this film so I'll just tell you a story.
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